Historical dream account · English · machine translation

The lizards and the asplenium

Joseph Delbœuf

Le sommeil et les rêves, considérés principalement dans leurs rapports avec les théories de la certitude et de la mémoire (1885) · Original 1885 edition, printed pp. 107, 108, 109, 110; scan leaves 117, 118, 119, 120

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“It was at the end of September in the year 1862. That evening, before going to bed, I had read Brillat-Savarin's chapter on dreams. According to the witty counselor, two of our senses, taste and smell, very rarely affect us during sleep, and if, for example, we dream of a flowerbed or a meal, we see the flowers without smelling their fragrance and the dishes without savoring them. I gave the matter no further thought, went to bed, and soon fell asleep.

“I cannot say whether it was toward two or three in the morning, but suddenly I saw myself in the middle of my snow-filled courtyard, and two unfortunate lizards, regular residents of the house, as I called them in my dream, lay numb and half buried beneath a white mantle, some distance from their blocked-up hole. Why had these little animals abandoned their dwelling? To this question, which I asked myself, I soon found a plausible answer. A fine sun must have shone in the morning; the interesting reptiles had poked their noses out of the window and, drawn by the daylight and warmth, had ventured outside. The sky had then suddenly darkened, a storm (sic) of snow had broken, and the two imprudent creatures' retreat had been cut off. I warmed them between my hands and, clearing their hiding place, put them back at the entrance, first taking care to scatter toward the inside a few fragments of an ASPLENIUM RUTA MURALIS growing on the wall.”

Here I interrupt my narrative for a moment. Everyone may have noticed on old walls or rocks a charming little fern with leaves very finely divided like those of rue: it is asplenium ruta muraria, or wall-rue. I am not a botanist and have retained only a few plant names. I did not know this one. Yet on awakening I had noted it down, with a slight change, as we have just seen, and at first believed my imagination had invented it. On making inquiries, I learned to my great astonishment that the name is real and that the plant in question does indeed grow on walls. The asplenium of my dream did not quite resemble the plant so named. It was indeed a fern, but its leaves were a very pronounced cherry red and crumbled to powder in the hand like dried bay leaves. I now resume my account.

“The lizards of my dream were extremely fond of this plant, as I knew, and I had the satisfaction of seeing my two pretty charges slip slowly into their dwelling. I was distracted from tending them by a prank of my friend V... V... From the window of his room, which overlooked my courtyard, he threw a pebble at me that nearly struck me. I nimbly climbed along the wall up to his room, shut him in a wardrobe, and came down as lightly as I had gone up. What was my astonishment, then, to find my two fellow diners quite revived, looking full and gazing with blissful benevolence at two other lizards that were vigorously fighting with their teeth over the scraps of asplenium they had left behind! I had never known any lizards in this hole other than those whose lives I had probably just saved. Naturally intrigued by so extraordinary an encounter, I wanted to find out where the newcomers might have escaped from, and I followed the light tracks marked in the snow. How my astonishment redoubled at the sight of a fifth lizard on its way to join the others!—Farther on, a sixth was going in the same direction. And, casting my eyes all around me over the countryside—we are now in the countryside—I saw that it was covered with lizards, all drawn toward this same center of attraction. From the far horizon came a long procession of these reptiles, looking as though they were making a pilgrimage; and it was a charming spectacle to see the undulating movements of their tails... What was the reason for this migration? I returned to the asplenium, which this time was no longer in my courtyard but grew in thick clumps in a clearing at the center of the forest, and I noticed that it gave off a sweet fragrance, which revealed itself to my senses only if I crushed the plant between my fingers. I then reflected that, whatever Brillat-Savarin might say, one could dream of smells...”

Read the original French account

Les lézards et l’asplenium

« C'était à la fin du mois de septembre de l'année 1862. Le soir, avant de me mettre au lit, j'avais lu dans Brillat-Savarin son chapitre sur les rêves. D'après le spirituel conseiller, deux de nos sens, le goût et l'odorat, nous impressionnent très rarement pendant le sommeil, et, si l'on rêve par exemple d'un parterre ou d'un repas, on voit les fleurs sans en sentir le parfum, les mets sans les savourer. Je ne méditai pas autrement sur la chose, je me mis au lit et ne tardai pas à m'endormir.

« Je ne saurais dire si c'était vers deux ou trois heures du matin, mais je me vis tout à coup au milieu de ma cour pleine de neige, et deux malheureux lézards, les habitués de la maison, comme je les qualifiais dans mon rêve, à moitié ensevelis sous un blanc manteau, gisaient engourdis à quelque distance de leur trou obstrué. Pourquoi ces petits animaux avaient-ils abandonné leur demeure? A cette question que je m'adressai, je trouvai bientôt une réponse plausible. Un beau soleil devait avoir lui dans la matinée; les intéressants reptiles avaient mis le nez à la fenêtre, et, attirés par la clarté du jour et la chaleur, s'étaient aventurés au dehors. Le ciel s'était ensuite obscurci tout à coup, un orage (sic) de neige avait éclaté et coupé la retraite aux deux imprudents. Je les réchauffai entre mes mains, et, dégageant leur cachette, je les replaçai à l'entrée, ayant soin auparavant de semer vers l'intérieur quelques fragments d'un ASPLENIUM RUTA MURALIS, qui croissait sur la muraille. »

Ici, j'interromps un instant ma narration. Tout le monde a pu remarquer, sur les vieux murs ou les rochers, une charmante petite fougère à feuilles très finement découpées comme celles de la rue : c'est l'asplenium ruta muraria ou rue des murailles. Je ne suis pas botaniste et n'ai retenu que peu de noms de plantes. Je ne connaissais pas celui-là. Or, à mon réveil, je l'avais noté, avec un léger changement, comme on vient de le voir, et je crus tout d'abord que mon imagination l'avait forgé. M'étant informé, j'appris à mon grand étonnement que le nom est réel et que la plante en question croît en effet sur les murs. L'asplenium de mon rêve ne ressemblait pas tout à fait à la plante ainsi nommée. C'était bien une fougère, mais les feuilles en étaient d'un rouge cerise très prononcé, et elles se pulvérisaient dans la main comme des feuilles de laurier desséchées. Je reprends maintenant mon récit.

« Les lézards de mon rêve raffolaient de cette plante, je le savais, et j'eus la satisfaction de voir mes deux jolis protégés se glisser lentement dans leur habitation. Je fus distrait de mes soins par une espièglerie de mon ami V... V... Il me lança de la fenêtre de sa chambre, qui donnait sur ma cour, un caillou qui faillit m'atteindre. Je grimpai lestement le long de la muraille jusque chez lui, l'enfermai dans une armoire, et redescendis aussi légèrement que j'étais monté. Quel ne fut pas alors mon étonnement de trouver mes deux commensaux tout ragaillardis et contemplant avec une mine de repus et des regards de béate bienveillance deux autres lézards qui se disputaient à belles dents les débris d'asplenium qu'ils avaient délaissés! Jamais je n'avais connu dans ce trou d'autres lézards que ceux à qui je venais probablement de sauver la vie. Justement intrigué d'une rencontre aussi extraordinaire, je voulus m'enquérir d'où pouvaient s'être échappés les nouveaux venus, et je suivis les traces légères marquées sur la neige. Combien mon étonnement redoubla à la vue d'un cinquième lézard en route pour se joindre aux autres ! — Plus loin un sixième prenait la même direction. Et, jetant les yeux tout autour de moi sur la campagne — nous sommes maintenant dans la campagne — je vis qu'elle était couverte de lézards qui tous étaient attirés vers ce même centre d'attraction. Du bout de l'horizon partait une longue procession de ces reptiles, ayant l'air d'accomplir un pèlerinage ; et c'était un spectacle charmant de voir les mouvements ondulatoires de leurs queues... Quel était le motif de cette émigration? Je revins près de l'asplenium, qui cette fois n'était plus dans ma cour, mais croissait en touffes serrées dans une clairière au centre de la forêt, et je m'aperçus qu'il répandait une odeur suave qui ne se révélait d'ailleurs à mes sens que si je froissais la plante entre les doigts. Je fis alors cette réflexion que, quoi qu'en dise Brillat-Savarin, on pouvait rêver d'odeurs... »

Delbœuf dates this personal dream to the end of September 1862, without an exact day. He says the report nearly reproduces notes written the next day; he does not claim an immediate verbatim capture. His explicit interruption about the plant name and resumption of the old narrative remain in the text, as do the different printed Latin forms muralis and muraria. The friend’s initials remain V... V... without expansion. Later retellings by Freud or Delage describe this same episode and are not additional dreams. The following reconstruction is outside the bounded narrative. Source qualification (Joseph Delbœuf, printed pp. 107): “Aujourd'hui j'approfondirai des détails qui n'auraient pu, dans ce temps-là, être l'objet de mes réflexions. Je reproduis presque textuellement — on verra pourquoi — le récit tel que je l'avais rédigé le lendemain :”

Source & context

English machine translation. The original account, source credit and publication terms remain available.

Delbœuf dates this personal dream to the end of September 1862, without an exact day. He says the report nearly reproduces notes written the next day; he does not claim an immediate verbatim capture. His explicit interruption about the plant name and resumption of the old narrative remain in the text, as do the different printed Latin forms muralis and muraria. The friend’s initials remain V... V... without expansion. Later retellings by Freud or Delage describe this same episode and are not additional dreams. The following reconstruction is outside the bounded narrative. Source qualification (Joseph Delbœuf, printed pp. 107): “Today I will examine in greater depth details that could not, at that time, have been the object of my reflections. I reproduce almost word for word—we shall see why—the account as I wrote it the following day:”

Joseph Delbœuf, own recalled dream in Le sommeil et les rêves (Paris: Félix Alcan, 1885), Original 1885 edition, printed pp. 107, 108, 109, 110; scan leaves 117, 118, 119, 120. Delbœuf is author, recorder and dreamer here. The preface separately thanks G. Tarde for other dream material; these selected first-person accounts are not assigned to Tarde. Editorial French title and navigation themes added; no synthetic dream prose or modern translation.

Only end of September 1862 is stated in the original narrative; exact dream day and recording date are not assigned.

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Public domain in the United States (1885 edition) ↗

The original French 1885 printed text is public domain in the United States by expired publication term. The linked NoC-US statement describes that US-only basis; no new Archive license, CC grant or blanket worldwide clearance is asserted. Delbœuf’s 1831–1896 dates also support expiry in ordinary life-plus 70 territories. No modern edition, editorial revision or translation is copied. The three selected accounts are his own recollections, distinct from other contributors acknowledged in the book.

Source locator and text provenance

Original 1885 edition, printed pp. 107, 108, 109, 110; scan leaves 117, 118, 119, 120

The original text and redactions are preserved. The page title is an editorial navigation label.

Original French wording retained. Editorial title/navigation themes only; physical line wraps, running headers/signature furniture and OCR errors repaired from scans with an exact forward/reverse ledger. Fraction glyphs render the source values without correcting the dream’s arithmetic. Printed plant-name variation, repeated source guillemets, author interruption and internal asides remain. No invented event, modern translation or unmarked privacy omission.

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Account text SHA-256
5db4f07774512ef15c370a569194eb76c2c2adabff7449a0d847eb18aeadc191
Source file SHA-256
71938fd8d537301a6d8a9c8ae994066bf783dd0cac3be110df4b7cf1ca4983c5
Content notes
  • Animal peril
  • Confinement

Connections in the Loom

Titles, theme labels, illustrations and map connections are editorial navigation aids. They are separate from the account’s words and do not establish connections between real people.