Published dream diary · English · released source text

The Studio and the Tree of Primroses

Nathalie Regard

101-nights -sleep and dream study night 003 (2023) · DREAMS section, Night 3; all recalled sections in this source-night entry, before the separate Day-by-Day waking log.

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I dream I’m the team leader in the new studio building.

They are just about to finish putting up the high ceilings. Workers are still busy installing floor tiles, windows, doors, and so forth.

[person A] is assisting me but seems uncertain about my wishes. She’s afraid I want quiet and not to be interrupted by anyone, but the fact is that I’m planning to organize an open studio next week – more like a social gathering than a big event. I just intend to invite friends and a few acquaintances, some art collectors among them. I realize I should at least have a social reception to celebrate the new building.

Though it is still under construction, workers are fixing things so that it is

ready for the studio visit.

At the end, I remember being outside observing the yard in the shadows. At a medium distance, I see a hill topped by a disproportionately tall tree with a long, thin trunk and light grey bark. Up there in the branches, the foliage is shaped like a drop, with small ochre-yellow leaves shaking softly. Two beauteous purple primroses hang, the violet colour of the petals fades to white toward the center and shows yellow pistils. The size of the flowers is mezmerising. Peace prevails throughout the landscape.

I wonder what tree it is. What are those flowers?

In the dream, I understand they are for support, as a protection to the community of people in [private studio name redacted] and myself.

Source & context

A published self-diary by Nathalie Regard in 101 nights, co-created with Guillaume Dumas. Released English text; original language/translator not stated. Recalled sections from one source night stay grouped. Statements about people, health and events describe dreams, not verified facts or diagnoses. Not a Synastry community submission.

Nathalie Regard (dreamer, diarist and recorder); Guillaume Dumas (project co-creator). 101-nights -sleep and dream study night 003. Zenodo, 2023. DOI 10.5281/zenodo.7779676. CC BY 4.0. Synastry added navigation metadata, normalized linewraps and visibly bracketed changes; no new dream narrative or translation.

Only the source-night ordinal is used. The metadata publication year is not a dream date; month/day source headings are not promoted to an exact calendar date. No real-world personal location is inferred.

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Creator-deposited self-diary. The actual Zenodo record licenses the released text under CC BY 4.0; credit and indicated changes are retained. The named dreamer is the creator, not an anonymous participant. No separate Synastry consent or complete third-party anonymization is claimed.

Source locator and text provenance

DREAMS section, Night 3; all recalled sections in this source-night entry, before the separate Day-by-Day waking log.

The original text and redactions are preserved. The page title is an editorial navigation label.

Private references are visibly bracketed; any omitted no-recall preface or source recording/metadata heading is explicitly bracketed. Paragraph linewraps normalized. Title/themes/scene description are editorial navigation additions; no new narrative or translation.

Released English source wording retained with documented visible privacy substitutions and bracketed source-marker omissions; paragraph linewraps folded. No assertion of original language or translator.

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Account text SHA-256
25caf9c99805025652b4fbfdc95a8562694166bfbc58f3a2d079d28f2df34182
Source file SHA-256
7ebefb1cbef98b5e6d2359a878d778b143ed1cfc65b1b81d0ae40a63589d07bd
Synastry source notes

These notes identify the released diary and any editorial redactions. They are separate from the diarist’s words.

Title/themes/scene description are editorial navigation aids, not a psychological interpretation.

Night ordinal only; publication year is not a dream date.

Brackets mark private-reference replacements or source-marker omissions. Person placeholders are local to each account.

The named creator remains credited; names removed from narrative are absent from public change notes.

Connections in the Loom

Titles, theme labels, illustrations and map connections are editorial navigation aids. They are separate from the account’s words and do not establish connections between real people.