Published dream diary · English · released source text

The Wall of Changing Images

Nathalie Regard

101-nights -sleep and dream study night 057 (2023) · DREAMS section, Night 57; all recalled sections in this source-night entry, before the separate Day-by-Day waking log.

Read in your language or share a constellation ↗

The dream is like going back in time.

I live in Paris and take [person A] to a white, completely empty space, the apartment of some friends. It's a place that is devoid of things; the white is pure.

Among everyone, we organize an evening together before moving to the egg of other people we know, among them is [person B]. The atmosphere is friendly.

We cross the city to the workplace of a younger artist than ourselves, who made an interactive montage with square screens that clone Walt Disney images and cover a huge wall.

The image is reproduced a certain number of times and then changes to another one that reacts the same way, and so forth

until the entire wall is covered, many meters.

We appreciate the merit of the young author and support him enthusiastically.

The student got hold of good grades of what the teachers in the different subjects have given us up until now, a few months before the end of the year. I look for my grades somewhat anxiously, hoping not to have any in red. I have a 4.8 and a 5.0, both blue but just barely passing. It's not to be proud but it is not a tragedy either.

The last fragment of the dream takes place in a swimming park beside the sea, an area that has begun to be gentrified, going from a town to a vacation destination.

A businessman is the owner of the place; the houses and cabins are for his employees, a way of subsidizing their vacations and a generous gesture on his part. The cabin is meant for the youngest, while the houses are for workers who have worked longer in his company.

He himself has a house and summers there.

Source & context

A published self-diary by Nathalie Regard in 101 nights, co-created with Guillaume Dumas. Released English text; original language/translator not stated. Recalled sections from one source night stay grouped. Statements about people, health and events describe dreams, not verified facts or diagnoses. Not a Synastry community submission.

Nathalie Regard (dreamer, diarist and recorder); Guillaume Dumas (project co-creator). 101-nights -sleep and dream study night 057. Zenodo, 2023. DOI 10.5281/zenodo.7819970. CC BY 4.0. Synastry added navigation metadata, normalized linewraps and visibly bracketed changes; no new dream narrative or translation.

Only the source-night ordinal is used. The metadata publication year is not a dream date; month/day source headings are not promoted to an exact calendar date. No real-world personal location is inferred.

Read the original source ↗

CC-BY-4.0 ↗

Creator-deposited self-diary. The actual Zenodo record licenses the released text under CC BY 4.0; credit and indicated changes are retained. The named dreamer is the creator, not an anonymous participant. No separate Synastry consent or complete third-party anonymization is claimed.

Source locator and text provenance

DREAMS section, Night 57; all recalled sections in this source-night entry, before the separate Day-by-Day waking log.

The original text and redactions are preserved. The page title is an editorial navigation label.

Private references are visibly bracketed; any omitted no-recall preface or source recording/metadata heading is explicitly bracketed. Paragraph linewraps normalized. Title/themes/scene description are editorial navigation additions; no new narrative or translation.

Released English source wording retained with documented visible privacy substitutions and bracketed source-marker omissions; paragraph linewraps folded. No assertion of original language or translator.

Open the source file ↗

Account text SHA-256
df039330db163a7372166292c5868f81882cb88172075cd1eba59301d7438182
Source file SHA-256
970c71eb7d690e25a332b71f1975490bce8cb7cfca41a5130c6fa5f6e631f0a7
Synastry source notes

These notes identify the released diary and any editorial redactions. They are separate from the diarist’s words.

Title/themes/scene description are editorial navigation aids, not a psychological interpretation.

Night ordinal only; publication year is not a dream date.

Brackets mark private-reference replacements or source-marker omissions. Person placeholders are local to each account.

The named creator remains credited; names removed from narrative are absent from public change notes.

Connections in the Loom

Titles, theme labels, illustrations and map connections are editorial navigation aids. They are separate from the account’s words and do not establish connections between real people.