Published dream diary · English · released source text
The Brasserie and the Glass-Boot Game
Nathalie Regard
101-nights -sleep and dream study night 062 (2023) · DREAMS section, Night 62; all recalled sections in this source-night entry, before the separate Day-by-Day waking log.
Read in your language or share a constellation ↗
When I awaken, I'm dreaming inside this very room. I'm not alone, others share it with me. One of them is [person A], in the dream he's the son of [person B], the engineer of EGI company who's in the lodge and is on his way to wake us up.
We go outside, it's Paris. [person B]’s wife, [person C], and I go into a brasserie. A trio is playing music on the terrace, and all the tables are filled. [person C] projects anxiety she craves for real culture. We want to sit near the musicians, but they move into the next room.
[person C] looks euphoric, because she just moved to Paris and wants to be everywhere at every moment, it's a chance to go out and discover the city. [person C] has undergone a drastic change, coming from an isolated environment in which she sticks with [person B]. Now she's gaining independence.
Her apartment is just a few blocks from here: straight and on the left, down a street named [private street name redacted].
I notice [person C] is wearing the parka that [person D], gave me in high school, and I take it from her to put it on.
The dream transplants me to the city of Santiago.
I'm walking in the rain at night, with a parka on over the other one, when near the intersection of Alameda and Panamericana, reality shakes me up, it feels that I went too far.
I'm much lower down than I thought, so I walk aware that these are dangerous neighbourhoods, I take a sneak peek around me, to see if there's someone close up, trying to avoid any eye contact.
I turn right, toward Mapocho Station and manage to go up there where there's a market. I go by a transformed industrial kind of complex, most of the stands are closed except one, the entertainment
stall.
I see a red, dinosaur-shaped piece, which is a set of building blocks. The person in charge comes up to me and hands me another similar piece that is a little more adapted to me, stronger and more substantial. I try my luck playing and throw it against the wall in front of another player that is present.
I throw it hard; the block comes back to me like the path of a boomerang. I keep playing and do it again. It seems I have talent for this game! The guy in charge comes and switches the block to a different one. It's a glass boot that turns to both sides. Looking at it with interest, I understand in the dream that it demands a higher level of skills, a "certain status". I throw it, too.
Now, I keep going on my way upward, together with my friend [person E], unexpectedly a doubly high colonial house appears in front of us. A street poster with one of his works was stuck beneath the arches by someone and without
authorisation, he runs to take it down.
I do the same thing with other street posters that were up in front of me. In fact the layers of paper stuck is thick and have formed a crust that I pull off vigorously when bales of clothing appear. Must be the merchandise from one of the stands in the market, stored or rather hidden.
Night 062
Source & context
A published self-diary by Nathalie Regard in 101 nights, co-created with Guillaume Dumas. Released English text; original language/translator not stated. Recalled sections from one source night stay grouped. Statements about people, health and events describe dreams, not verified facts or diagnoses. Not a Synastry community submission.
Nathalie Regard (dreamer, diarist and recorder); Guillaume Dumas (project co-creator). 101-nights -sleep and dream study night 062. Zenodo, 2023. DOI 10.5281/zenodo.7823679. CC BY 4.0. Synastry added navigation metadata, normalized linewraps and visibly bracketed changes; no new dream narrative or translation.
Only the source-night ordinal is used. The metadata publication year is not a dream date; month/day source headings are not promoted to an exact calendar date. No real-world personal location is inferred.
Creator-deposited self-diary. The actual Zenodo record licenses the released text under CC BY 4.0; credit and indicated changes are retained. The named dreamer is the creator, not an anonymous participant. No separate Synastry consent or complete third-party anonymization is claimed.
Source locator and text provenance
DREAMS section, Night 62; all recalled sections in this source-night entry, before the separate Day-by-Day waking log.
The original text and redactions are preserved. The page title is an editorial navigation label.
Private references are visibly bracketed; any omitted no-recall preface or source recording/metadata heading is explicitly bracketed. Paragraph linewraps normalized. Title/themes/scene description are editorial navigation additions; no new narrative or translation.
Released English source wording retained with documented visible privacy substitutions and bracketed source-marker omissions; paragraph linewraps folded. No assertion of original language or translator.
- Account text SHA-256
- 71975a1f1f2a46e8c8b8e941103be341eb12af1c52e6e2d6786b0800d27260e7
- Source file SHA-256
- 286e46108e1af4558d022d7c290eadf65c6d0a609a22c88903d56ebb23c0fac3
Synastry source notes
These notes identify the released diary and any editorial redactions. They are separate from the diarist’s words.
Title/themes/scene description are editorial navigation aids, not a psychological interpretation.
Night ordinal only; publication year is not a dream date.
Brackets mark private-reference replacements or source-marker omissions. Person placeholders are local to each account.
The named creator remains credited; names removed from narrative are absent from public change notes.
Connections in the Loom
Titles, theme labels, illustrations and map connections are editorial navigation aids. They are separate from the account’s words and do not establish connections between real people.