Published dream diary · English · released source text

The Endless Earphone Wire and the Red Signal

Nathalie Regard

101-nights -sleep and dream study night 099 (2023) · DREAMS section, Night 99; all recalled sections in this source-night entry, before the separate Day-by-Day waking log.

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Initially my dream takes me back to 25 years ago on time, to a gathering of friends and family. I feel fulfilled, among the painters is [person A], he hugs me in the dream we have a close, romantic relationship. Between my relatives is [person B] and my friends, [person C], both still alive.

[person A] treats me like his girlfriend. I feel something in my throat like something I swallowed that is now choking me. A white thread comes out of my mouth. It is my earphone wire. I pull on it carefully, but it is abnormally long. Finally, the earphones come out, but the wire is still inside.

I gradually pull on the wire, sliding it up my throat. It seems like not just one pair of earphones, but many! I keep breathing as I can and do everything possible not to choke while I keep pulling

on the wire, without hurting myself.

It is horrible! It is making me anxious. I don’t understand what is happening. Why is the wire so long? I pull out another pair of earphones. They are for my phone, and I don’t understand how they got there. I pull the wire up my throat until it is all out, but my throat feels irritated and my trachea almost closed.

[person A] comforts me with tea and tells me I’ll get better. I sit still for a while. Next thing I see is his girlfriend is the charming Argentine model who doesn’t seem bothered by our relationship.

The sensation in my throat does not go away. The interior walls loosened from my neck, my soft-palate and epiglottis bounce upwards along with all the other organs in my throat that form the wall of the digestive and respiratory tract. I ask my mother to take me to [clinic name redacted]. She and [person D] look 25 years younger too.

The second dream is abstract.

We are surrounded by a system of mysterious red lights like the ones in Stranger Things that communicate with extraterrestrial forces. We are referring to the energy of strange beings that transcends matter. We establish a simple system of contact, and it works. We see it.

Iggy Pop is part of the scientific community. Communication with the Cosmos is an introverted affair. At the same time, we participate with the public so they can establish contact, too but it is forbidden.

The police arrive, pursuing us for a crime that is difficult to prove. They pursue us though they don't have evidence that shows darkness or that proves that we broke the law.

The system is simple. It consists of a graded bar which is a connection index that measures contact level and lights up red at the highest level. The police want to arrest us because we show people this system but they arrive too late. The

system is everywhere and cannot be halted now. There is even a contact pole in front of the police station.

The third dream. We are held captive in a laboratory, where the personnel exploit our skills. We are the subject of an investigation for an evil organization. They investigate the task of the conscience using the efficient method of electrodes.

Several of us children are working together on an escape plan that I decide to collaborate with. Stalking the laboratory entrance and exit until we see an opportunity to cross nimbly and get away. It is now or never. I have to dodge an obstacle to get free. I volunteer to participate and put on a hardhat and a few electrodes.

At the end, my memory tends to fade me, as I take off the helmet while still asleep, starting with the electrodes from my face and forehead, with the expansion mesh on the outside still connected to the terminal, recording. As I am about to get

up and regain consciousness, I look at the clock, which says 6.

I wake up and I lay back down to sleeping and dreaming.

Now, I am part of a university research group and, like most of other students, live in a small flat. My activities are centerd on campus facilities and the street. All the students must write their names on a coloured post-it and add it to the raffle box so we can decide randomly where the party will be organized.

It doesn’t make sense to me. I don’t think it is a good idea to invite a large group of people to a house without a garden. Most of the flats, like mine, don’t have outdoor space.

Four or five people it is reasonable; more would be irresponsible. The party should be organised in the gallery, like an “urban party.” –What is an “urban party?” they ask. Is an artificial event that hosts social gatherings. At least this is what’s what it means to me, but the person

who asks doesn’t seem to know.

Urban is social and artificial at the same time, I repeat. The party will be at night, and the gallery where it will be hosted, lit up with electric lights and full of students!

In the distance, I see someone approaching with a gigantic camera. It is a monstrous thing that he carries on his shoulder as he comes towards me.

In the end, I remember that I am wearing a strange pilot helmet, a hard, padded, thick shell.

Source & context

A published self-diary by Nathalie Regard in 101 nights, co-created with Guillaume Dumas. Released English text; original language/translator not stated. Recalled sections from one source night stay grouped. Statements about people, health and events describe dreams, not verified facts or diagnoses. Not a Synastry community submission.

Nathalie Regard (dreamer, diarist and recorder); Guillaume Dumas (project co-creator). 101-nights -sleep and dream study night 099. Zenodo, 2023. DOI 10.5281/zenodo.7860499. CC BY 4.0. Synastry added navigation metadata, normalized linewraps and visibly bracketed changes; no new dream narrative or translation.

Only the source-night ordinal is used. The metadata publication year is not a dream date; month/day source headings are not promoted to an exact calendar date. No real-world personal location is inferred.

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Creator-deposited self-diary. The actual Zenodo record licenses the released text under CC BY 4.0; credit and indicated changes are retained. The named dreamer is the creator, not an anonymous participant. No separate Synastry consent or complete third-party anonymization is claimed.

Source locator and text provenance

DREAMS section, Night 99; all recalled sections in this source-night entry, before the separate Day-by-Day waking log.

The original text and redactions are preserved. The page title is an editorial navigation label.

Private references are visibly bracketed; any omitted no-recall preface or source recording/metadata heading is explicitly bracketed. Paragraph linewraps normalized. Title/themes/scene description are editorial navigation additions; no new narrative or translation.

Released English source wording retained with documented visible privacy substitutions and bracketed source-marker omissions; paragraph linewraps folded. No assertion of original language or translator.

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Account text SHA-256
671b492ddca0faf4ea19c91bb409c46cf064f27fd1c093eacec41b377ca5dac2
Source file SHA-256
8d3377ab77242c872b5c164b7877aeddda3d0176c49a5acfd2a791d88435aaba
Content notes
  • Peril grief or body distress
Synastry source notes

These notes identify the released diary and any editorial redactions. They are separate from the diarist’s words.

Title/themes/scene description are editorial navigation aids, not a psychological interpretation.

Night ordinal only; publication year is not a dream date.

Brackets mark private-reference replacements or source-marker omissions. Person placeholders are local to each account.

The named creator remains credited; names removed from narrative are absent from public change notes.

Content notes describe themes in the released dream account; they do not assert those events occurred.

Connections in the Loom

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