Historical dream account · English · original published text

Glastonbury’s Ruins and the Winged Escape

Robert Southey

The Correspondence of Robert Southey with Caroline Bowles; Appendix II: Southey’s Dreams (1881) · Appendix II: Southey’s Dreams, printed p. 373

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Last night I had met a Mr. Trevilian, a Somersetshire man. I dreamt that I was visiting him in his own county, and this reminding me of Glastonbury, I thought that we went to see the ruins. But the ruins which I saw in my dream were far nobler than Glastonbury, or probably than any existing pile. I thought that, descending a long flight of steps, like those which lead from Redcliffe church door, or in the Deanery at Westminster, only that they were under the roof of the building, we entered a prodigious church, deserted and bearing marks of decay, though all its parts were still entire. I have the picture vividly before me, the arched windows, and meeting columns, the grass between the stones ; the sound of my own footsteps is still fresh in my ears, and the feeling of delight and reverence which made me in the dream stand half-way down the steps and shed tears. Presently I was led to a part of the building which was called the Beatorio ; the most extraordinary place I ever fancied. It was so called as being the burial-place of the monks, who were all presumed to be in bliss, and the whole floor was covered with statues, admirably executed in a fine white stone, of these men rising from the dead all in different attitudes, each as large as life, and each made to the living likeness of the man whom it represented. One side of this place was open to the cloisters, so that all was seen in a strong light. The other walls were in like manner covered with figures issuing out.

I now thought a sort of Auto of the Last Judgment was to be acted in the church. A number of the most ill-looking men had been got together to play the damned, and express as much damnation as possible in their looks and gestures when they were set aside after sentence. The dream now began to confound things : these persons seemed to be really the damned ; and I, who did not quite like such company, as they were becoming obstreperous, rose to make my escape. Some fellow half-damned, half-devil, was placed in the gateway to prevent me from going out ; I forced my way by, and creating wings with the effort, fled away. A long flight brought me to the mountains, and I awoke, just at the fit time, when the whole dream was fairly brought to a conclusion.

Source & context

Southey’s dream begins from his stated waking meeting with Mr. Trevilian and develops into imagined ruins, resurrection statues, a staged Last Judgment and a winged escape. His final awakening is retained. The religious figures and supernatural events belong to the narrated dream, not a verified religious experience. The adjoining source comment explains a gap in recording and is separate from the dream narrative. Published in the 1881 edition edited by Edward Dowden, who is credited as editor rather than dreamer or recorder. Source framing — Robert Southey: “Here is a long gap. During the whole summer I have been so engaged with visitors and walking about the country, that having no Daniel to remember my dreams for me, they are irrecoverably gone.”

Robert Southey, dreamer and recorder, “Southey’s Dreams,” in The Correspondence of Robert Southey with Caroline Bowles, edited with an introduction by Edward Dowden (Dublin: Hodges, Figgis, & Co.; London: Longmans, Green, & Co., 1881), printed p. 373. Original English text from the Robarts Library, University of Toronto copy digitized by Internet Archive. Descriptive title and navigation themes added by Synastry.

The heading on p 372 prints October 1st without a year. No year is supplied from sequence. The adjoining gap comment is source framing, not a separate dream and not an exact dream date.

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No Copyright – United States (1881 original English edition) ↗

Original English prose published in the witnessed 1881 edition; the original publication is public domain in the United States. Internet Archive metadata records NOT_IN_COPYRIGHT in the US and the title page visibly prints 1881. Robert Southey died in 1843 and the edition’s editor Edward Dowden in 1913; ordinary author-life-plus-70 terms have also elapsed where applicable. No modern translation, transcription edition or modern editorial additions are reused. No Copyright–United States identifies status, not a new exclusive license or a blanket worldwide reuse grant.

Source locator and text provenance

Appendix II: Southey’s Dreams, printed p. 373, IA leaf 415

The original text and redactions are preserved. The page title is an editorial navigation label.

Selected one complete recalled dream at explicit source boundaries; omitted adjacent accounts and page furniture. Joined typesetter line wraps and unambiguous split words, preserving source paragraphs and printed compounds including down-stairs and knick-knack. Applied only listed scan-verified OCR repairs; preserved the printed apparent form giftee. Added a descriptive navigation title, without translation, identity expansion or narrative generation.

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Account text SHA-256
cac803d44e893287441d35380c6d0c6d068d61160c14756e7f1e82ff74f288fd
Source file SHA-256
3105e7a9afc2e0cc5725208180a55c12f8cff63aaa5ad4ea8fc4ac861c7a0b41
Content notes
  • Religious imagery
  • Frightening imagery

Connections in the Loom

Titles, theme labels, illustrations and map connections are editorial navigation aids. They are separate from the account’s words and do not establish connections between real people.