Historical dream account · English · original text
The changing portrait
Havelock Ellis
The World of Dreams (1922) · Printed page 33; normalized HTML paragraph block 87
I dreamed that an artist of note, with whom I am acquainted, was painting my portrait. (The pose of the portrait was standing, but I was lying down; this, however, caused me no surprise.) I saw the colours of the picture with great vividness, and I noted the extreme rapidity with which the artist painted; thus the red and black pattern of the necktie he had given me was suddenly changed to a totally different blue pattern, and the whole picture then appeared as a harmony of blues, the rapidity with which the artist effected these changes impressing me as very remarkable.
Source & context
A historical dream account recorded in Havelock Ellis’s The World of Dreams, using its 1922 edition (first published 1911). The source distinguishes Ellis’s own dreams from separately identified or unnamed contributors. This is not a Synastry community submission.
Havelock Ellis, The World of Dreams (Constable & Company, 1922; first published 1911), p. 33. Public-domain historical dream account, Project Gutenberg transcription.
Individual dream date not specified; exact excerpt from 1922 edition of work first published in 1911.
Public domain in the United States, independently labelled by the source catalog; Public Domain Mark is a status tool, not an exclusive license.
Source locator and text provenance
Printed page 33; normalized HTML paragraph block 87
The original text and redactions are preserved. The page title is an editorial navigation label.
Excerpt selected; whitespace normalized and page/footnote reference markers removed by documented HTML parser. Source prose and spelling retained. Title is a descriptive editorial label.
- Account text SHA-256
- 56666d61375dbc83c16956556423781ca8ef4445ac2bf22528433346639b1300
- Source file SHA-256
- c4505b2f173dd954a9697ba42b2992bcdc03ef96cd4d42b6b0f3e70086724236
Connections in the Loom
Titles, theme labels, illustrations and map connections are editorial navigation aids. They are separate from the account’s words and do not establish connections between real people.