Historical dream account · English · original text

A valley that opens wherever I look

Frederick Greenwood

Imagination in Dreams and Their Study (1894) · Printed pages 85, 86, 87, 88; OCR lines 2752–2832

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One night, when I was a boy, I dreamed of a very beautiful landscape. At that time I had never seen under the sky anything to compare with it for beauty; a matter of small consequence, however, when three fields, a pond, a flowering hedge, and a group of trees were enough to make a Garden of Paradise any day. But I had seen pictures. Turner engravings, and the like, and no doubt it was these that imagination took in hand when it showed me more loveliness in a single view than earth can offer to the eye's embrace. But that seems too much to say — exaggerate, ungrateful; and in truth the magic was rather in the vision than the view. It was a scene in which all that is most beautiful in the valley-landscape of this land came together in an immensity of range. A valley of no great depth as measured by its extent, but one that might have been proportioned to the whole western sky as viewed from a hill at sundown. Its breadth was the breadth of two Wensleydales, two Swaledales, and three vales of Festiniog and valleys of the Wye; with the loveliness of all of them in terraced rock, hanging woods, deep meadows, and winding waters. And as you looked down the valley, an unending succession of distances. This was the wonder of the scene; and here it was that the Genius of Dreams, the omnipotent Imagination which I sing, gave to my vision a magic which I do not suppose was ever conceived of by waking thought. Distance rose upon distance, each in its own boundary, so to speak, as the eye travelled on from one to the other. As I gazed down the valley from where I stood, the general view melted in the long, gently-streaming gradations of perspective that may be seen on any clear day in any open landscape; but there was this difference. When I looked onward to some mile-away spot, half lost in soft obscurity, the haze immediately began to lift, light entered into the obscure, and this was now my foreground, with a foreground's clearness and particularity. As a natural consequence, the distance beyond took a new aspect of gradation. The bridge which a moment ago, when I began to look fixedly at it to make it out, lay far down the river, was now at my feet. I could see the wagon slanting down from the crown of it, and watch the cattle in the fields that sloped to the stream on either side. But no sooner was attention withdrawn from this spot than I insensibly fell back to my first standpoint. The newly-opened scene closed; and in a moment the bridge and all about it were again in the dim poetic distance of a master more masterly than Claude: and so it was to every point in the landscape. Going forth to any part with curiosity, my vision carried within itself the same light. Though the place seemed miles away, every detail opened to view when it was looked upon intently, and then was lost again in the general beauty of the scene.

Source & context

A historical dream account recorded by Frederick Greenwood in Imagination in Dreams and Their Study (1894). The recorder and any separately identified dreamer are distinguished. The prose was checked against the printed page scans; historical claims belong to the source and are not presented as verified events. This is not a Synastry community submission.

Frederick Greenwood, Imagination in Dreams and Their Study (London: John Lane; New York: Macmillan, 1894). Digitized copy contributed by University of California Libraries via Internet Archive. Original English text; editorial descriptive title and documented OCR normalization by Synastry.

1894 is the publication year, not a supplied date of the dream. Any date mentioned in the narrative remains the source wording.

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Public domain ↗

Original English text published in 1894; Frederick Greenwood died in 1909. Internet Archive identifies this edition as NOT_IN_COPYRIGHT (United States). No modern translation or editorial additions are included. Public Domain Mark denotes status, not an exclusive grant.

Source locator and text provenance

Printed pages 85, 86, 87, 88; OCR lines 2752–2832

The original text and redactions are preserved. The page title is an editorial navigation label.

Original prose retained with documented OCR corrections, line-wrap normalization and page-furniture removal. Editorial title added. Surrounding theoretical discussion omitted. Passage boundaries and all narrative events checked against the 1894 page scans.

Typesetter line-end word divisions normalized; lexical hyphens retained. Quotation marks identifying the outer published architect quotation and a numbered footnote marker are omitted; speaking characters’ quotation marks remain. Full raw spans and page images retained in source review evidence.

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Account text SHA-256
ebb56e6980eba4296b06e5ed8baf0cc774cdf329731ad5ca66e7127a438b8de0
Source file SHA-256
82370bf037b8dab9a477488f8be6858c63ef9f48d9fd79d699a2a9040c042878

Connections in the Loom

Titles, theme labels, illustrations and map connections are editorial navigation aids. They are separate from the account’s words and do not establish connections between real people.