Historical dream account · English · original text

The Wonderful Spectacles

Anna Bonus Kingsford

Dreams and Dream Stories (1888) · Part I, account II: The Wonderful Spectacles; normalized HTML blocks 48,49,50,51,52,54,55,56,57,58

I was walking alone on the seashore. The day was singularly clear and sunny. Inland lay the most beautiful landscape ever seen; and far off were ranges of tall hills, the highest peaks of which were white with glittering snows. Along the sands by the sea came towards me a man accoutred as a postman. He gave me a letter. It was from you. It ran thus:—

"I have got hold of the earliest and most precious book extant. It was written before the world began. The text is easy enough to read; but the notes, which are very copious and numerous, are in such minute and obscure characters that I cannot make them out. I want you to get for me the spectacles which Swedenborg used to wear; not the smaller pair—those he gave to Hans Christian Andersen—but the large pair, and these seem to have got mislaid. I think they are Spinoza's make. You know he was an optical-glass maker by profession, and the best we have ever had. See if you can get them for me."

When I looked up after reading this letter, I saw the postman hastening away across the sands, and I cried out to him, "Stop! how am I to send the answer? Will you not wait for it?"

He looked round, stopped, and came back to me.

"I have the answer here," he said, tapping his letter-bag, "and I shall deliver it immediately."

"How can you have the answer before I have written it?" I asked. "You are making a mistake."

"No," he said." In the city from which I come, the replies are all written at the office, and sent out with the letters themselves. Your reply is in my bag."

"Let me see it," I said. He took another letter from his wallet and gave it to me. I opened it, and read, in my own handwriting, this answer, addressed to you:—

"The spectacles you want can be bought in London. But you will not be able to use them at once, for they have not been worn for many years, and they sadly want cleaning. This you will not be able to do yourself in London, because it is too dark there to see well, and because your fingers are not small enough to clean them properly. Bring them here to me, and I will do it for you."

I gave this letter back to the postman. He smiled and nodded at me; and I then perceived to my astonishment that he wore a camel's-hair tunic round his waist. I had been on the point of addressing him— I know not why—as Hermes. But I now saw that he must be John the Baptist; and in my fright at having spoken with so great a saint, I awoke!

Source & context

A historical account from Part I of Anna Bonus Kingsford’s Dreams and Dream Stories (1888). Source prose and original title are retained; normalization and omitted editorial footnotes are documented separately. This is not a Synastry community submission.

Anna Bonus Kingsford, Dreams and Dream Stories (1888), Part I, II: The Wonderful Spectacles. Project Gutenberg transcription. Historical recorded dream; author died in 1888.

Dateline provided with the published dream account, when available; month-only dates remain unexpanded. Place belongs to the historical source, not a Synastry submission location.

Read the original source ↗

Public domain ↗

Public domain in the United States, independently labelled by the source catalog; Public Domain Mark is a status tool, not an exclusive license.

Source locator and text provenance

Part I, account II: The Wonderful Spectacles; normalized HTML blocks 48,49,50,51,52,54,55,56,57,58

The original text and redactions are preserved. The title follows the source heading.

Whitespace normalized; page and footnote reference markers and separately marked editorial footnotes omitted. Dream prose, source spelling, and original title retained.

Open the source file ↗

Account text SHA-256
36608634a67a546bdec589facd387d9e51ff3cd3a9776b00b1a78dab25c825d9
Source file SHA-256
d8e5230f153e1e300439e98b1b29256fd3e9d728b6ee9755f4e500723bcec5d0
Content notes
  • Religious imagery

Connections in the Loom

Titles, theme labels, illustrations and map connections are editorial navigation aids. They are separate from the account’s words and do not establish connections between real people.