Published dream diary · English · released source text
The Newly Painted Studios
Nathalie Regard
101-nights -sleep and dream study night 030 (2023) · DREAMS section, Night 30; all recalled sections in this source-night entry, before the separate Day-by-Day waking log.
Read in your language or share a constellation ↗
I faintly retain the name of [person A]. Nothing more.
Then I remember another dream. We have just painted the walls of my studio in white for the first time, and the space looks brand new. Several studios are divided by walls; some spaces are rather narrow, others medium size, all spread over two floors. I am afraid there is an excess of walls. It is done that way, so it is too late now.
We have visitors. They seem to be students and are rather surprised by the construction. I must admit that I am delighted, too.
The studios are a novelty to me; we just finished them last week. I show the students how we use the ateliers, I start a tour business on the ground floor. I recall that at the entrance, the building
has an area for commercial activity, where one is already operating. A different one is empty, and I would like to put in an international transport shop, for the artwork we produce here.
On the first floor, one studio has just enough room to paint a flat surface, a horizontal stretcher on a table. Other spaces have enough room to make the necessary movements around the canvas to apply paint for the background of a painting, like I do.
The volume of the space itself appeared after being painted in white. I am afraid it has unnecessary walls.
There is a man by my side; he could be my partner. He commissioned a worker to build a small roof for the outside, all along a window, one meter wide, a semi-circular shape, made of concrete, but unfortunately the material design is not good. In my opinion it should have been done in wood.
Anyways we have a new building and feel prepared to open the studios and welcome
artists from around the world.
Night 030
Source & context
A published self-diary by Nathalie Regard in 101 nights, co-created with Guillaume Dumas. Released English text; original language/translator not stated. Recalled sections from one source night stay grouped. Statements about people, health and events describe dreams, not verified facts or diagnoses. Not a Synastry community submission.
Nathalie Regard (dreamer, diarist and recorder); Guillaume Dumas (project co-creator). 101-nights -sleep and dream study night 030. Zenodo, 2023. DOI 10.5281/zenodo.7796351. CC BY 4.0. Synastry added navigation metadata, normalized linewraps and visibly bracketed changes; no new dream narrative or translation.
Only the source-night ordinal is used. The metadata publication year is not a dream date; month/day source headings are not promoted to an exact calendar date. No real-world personal location is inferred.
Creator-deposited self-diary. The actual Zenodo record licenses the released text under CC BY 4.0; credit and indicated changes are retained. The named dreamer is the creator, not an anonymous participant. No separate Synastry consent or complete third-party anonymization is claimed.
Source locator and text provenance
DREAMS section, Night 30; all recalled sections in this source-night entry, before the separate Day-by-Day waking log.
The original text and redactions are preserved. The page title is an editorial navigation label.
Private references are visibly bracketed; any omitted no-recall preface or source recording/metadata heading is explicitly bracketed. Paragraph linewraps normalized. Title/themes/scene description are editorial navigation additions; no new narrative or translation.
Released English source wording retained with documented visible privacy substitutions and bracketed source-marker omissions; paragraph linewraps folded. No assertion of original language or translator.
- Account text SHA-256
- 528e941951e3d4f252c31dcf87e65fec5d0a4bfabf4397f9c42ec66e090a218e
- Source file SHA-256
- faee28ac8449283f1dadf348d5b4f4d82827933a7dfe9816faec9d072006a995
Synastry source notes
These notes identify the released diary and any editorial redactions. They are separate from the diarist’s words.
Title/themes/scene description are editorial navigation aids, not a psychological interpretation.
Night ordinal only; publication year is not a dream date.
Brackets mark private-reference replacements or source-marker omissions. Person placeholders are local to each account.
The named creator remains credited; names removed from narrative are absent from public change notes.
Connections in the Loom
Titles, theme labels, illustrations and map connections are editorial navigation aids. They are separate from the account’s words and do not establish connections between real people.