Published dream diary · English · released source text

The Flaming Car and the Blacksmith’s Election

Nathalie Regard

101-nights -sleep and dream study night 032 (2023) · DREAMS section, Night 32; all recalled sections in this source-night entry, before the separate Day-by-Day waking log.

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I dream, my old friend [person A] and his brother [person B] bought a basic second or third-hand car for their mom. As the engine starts, I instantly notice a flame coming out of the exhaust pipe. Since the car is old, I fear there might be a leak underneath, when I discover a puddle of oil on the ground that could start a fire because it is flammable. Worried, I hasten to tell them to turn off the engine.

I want to leave them alone but before that, [person B] approaches and gives me, a decorative object, a small Andalusian- style window frame, as a gift.

I take it and hang it up against a white wall directly behind me, as a conceptual sculpture.

Not far away, I can see a group of people and a lively atmosphere. My friend [person C] and [person D], the blacksmith, are among

them. “Why don't you come to the studio to finish the work?” I ask him, even though I know I owe him money.

Apparently [person D] is busy and pretends not to care about money. I wonder if he noticed a new deposit I made, in his bank account. I assume he has not. A small amount of money can go unnoticed, but on the contrary, 15 or 35 thousand pesos should be noticed. Or may be [person D] is concentrating on another business.

At the political level, there is a completely different thing happening. Elections for a local representative are held, and the blacksmith, is on the list with 42 or 48 other candidates.

I am going to vote for [person D]. He is a valuable man with good personal qualities. I trust him to be a good representative leader. I meet [person E], [person F]'s mom and persuade her to vote for [person D].

Though on the list, his name appears differently, as [person D].

Food is served at the social gathering. I have a sweet pudding made of black beans and papaya. I cannot stop eating, which reminds me I have been practicing 16-hour fasts, and it is time to start again. It might mean some effort at the beginning, it is true but in the end I find it is not hard.

Towards the end of this dream, I meet with [person D] once again, when he mentions that [person E] commissioned a structure for her theatre costumes and her set design. He charged a thousand pesos for the work, and I understand they get along well together.

Source & context

A published self-diary by Nathalie Regard in 101 nights, co-created with Guillaume Dumas. Released English text; original language/translator not stated. Recalled sections from one source night stay grouped. Statements about people, health and events describe dreams, not verified facts or diagnoses. Not a Synastry community submission.

Nathalie Regard (dreamer, diarist and recorder); Guillaume Dumas (project co-creator). 101-nights -sleep and dream study night 032. Zenodo, 2023. DOI 10.5281/zenodo.7796576. CC BY 4.0. Synastry added navigation metadata, normalized linewraps and visibly bracketed changes; no new dream narrative or translation.

Only the source-night ordinal is used. The metadata publication year is not a dream date; month/day source headings are not promoted to an exact calendar date. No real-world personal location is inferred.

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Creator-deposited self-diary. The actual Zenodo record licenses the released text under CC BY 4.0; credit and indicated changes are retained. The named dreamer is the creator, not an anonymous participant. No separate Synastry consent or complete third-party anonymization is claimed.

Source locator and text provenance

DREAMS section, Night 32; all recalled sections in this source-night entry, before the separate Day-by-Day waking log.

The original text and redactions are preserved. The page title is an editorial navigation label.

Private references are visibly bracketed; any omitted no-recall preface or source recording/metadata heading is explicitly bracketed. Paragraph linewraps normalized. Title/themes/scene description are editorial navigation additions; no new narrative or translation.

Released English source wording retained with documented visible privacy substitutions and bracketed source-marker omissions; paragraph linewraps folded. No assertion of original language or translator.

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Account text SHA-256
b9ec68ec3db6c6be296b0e5e59382a0994940ab385ac1ee09c922f3d05e6fa81
Source file SHA-256
41485a30f2d92b7b19289493f2cf3f8448c288b3f00efc9876563d3e2e5a8647
Content notes
  • Personal or health claims within dream
Synastry source notes

These notes identify the released diary and any editorial redactions. They are separate from the diarist’s words.

Title/themes/scene description are editorial navigation aids, not a psychological interpretation.

Night ordinal only; publication year is not a dream date.

Brackets mark private-reference replacements or source-marker omissions. Person placeholders are local to each account.

The named creator remains credited; names removed from narrative are absent from public change notes.

Content notes describe themes in the released dream account; they do not assert those events occurred.

Connections in the Loom

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