Published dream diary · English · released source text

The House of Concepts and the Map of Islands

Nathalie Regard

101-nights -sleep and dream study night 094 (2023) · DREAMS section, Night 94; all recalled sections in this source-night entry, before the separate Day-by-Day waking log.

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I still have the image of [person A], who in my dream comes to pick me up from a house where he left me months before. I don’t know if any things changed from the outset; perhaps I only moved to a different room.

The house has an “experimental” quality. Each room has a specific concept that converts overall into a condition.

A woman approaches us and gives us a map of the geography of the area. The image splits toward the sea, where the heights of the continents become islands.

The image of a sheep on a mountain peak appears on the map. I teasingly point my finger and yell out to tell [person A], –“There we are!” Not exactly, but close to it, on the coast. We go into the sea together with the woman, who is familiar with it. She is from nearby and will guide

us to the island. She who lives in the sea assures us that there is no danger while swimming. However, [person A] doesn’t dare. He is afraid or do not trust because he is unfamiliar with the ocean currents.

We visit a town that has a different coffee shop at every corner, which confuses us. Instead of searching the Internet for breakfast options, we wander from one side to the other. That seems crazy, too.

Source & context

A published self-diary by Nathalie Regard in 101 nights, co-created with Guillaume Dumas. Released English text; original language/translator not stated. Recalled sections from one source night stay grouped. Statements about people, health and events describe dreams, not verified facts or diagnoses. Not a Synastry community submission.

Nathalie Regard (dreamer, diarist and recorder); Guillaume Dumas (project co-creator). 101-nights -sleep and dream study night 094. Zenodo, 2023. DOI 10.5281/zenodo.7856016. CC BY 4.0. Synastry added navigation metadata, normalized linewraps and visibly bracketed changes; no new dream narrative or translation.

Only the source-night ordinal is used. The metadata publication year is not a dream date; month/day source headings are not promoted to an exact calendar date. No real-world personal location is inferred.

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Creator-deposited self-diary. The actual Zenodo record licenses the released text under CC BY 4.0; credit and indicated changes are retained. The named dreamer is the creator, not an anonymous participant. No separate Synastry consent or complete third-party anonymization is claimed.

Source locator and text provenance

DREAMS section, Night 94; all recalled sections in this source-night entry, before the separate Day-by-Day waking log.

The original text and redactions are preserved. The page title is an editorial navigation label.

Private references are visibly bracketed; any omitted no-recall preface or source recording/metadata heading is explicitly bracketed. Paragraph linewraps normalized. Title/themes/scene description are editorial navigation additions; no new narrative or translation.

Released English source wording retained with documented visible privacy substitutions and bracketed source-marker omissions; paragraph linewraps folded. No assertion of original language or translator.

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Account text SHA-256
28c1ca72f58bc56dfbc693857062495cd01d9b673f669b38ebee9bf6b7bce059
Source file SHA-256
e36efe0311dfc95d59c1a2730a9a306d68d5c923f457ebd2ae852416cf8c5229
Synastry source notes

These notes identify the released diary and any editorial redactions. They are separate from the diarist’s words.

Title/themes/scene description are editorial navigation aids, not a psychological interpretation.

Night ordinal only; publication year is not a dream date.

Brackets mark private-reference replacements or source-marker omissions. Person placeholders are local to each account.

The named creator remains credited; names removed from narrative are absent from public change notes.

Connections in the Loom

Titles, theme labels, illustrations and map connections are editorial navigation aids. They are separate from the account’s words and do not establish connections between real people.