Published dream diary · English · released source text

The Red Fox through the Car Window

Nathalie Regard

101-nights -sleep and dream study night 098 (2023) · DREAMS section, Night 98; all recalled sections in this source-night entry, before the separate Day-by-Day waking log.

Read in your language or share a constellation ↗

I remember dreaming at the beginning of the night about a room and a bed next to an open window. It is my responsibility to keep the place safe and lock the window. We are a team that involves other people in a collective project, and I am able to close the window with everyone’s help.

The feeling of the room is similar to a campground. [person A] is focused on one task, a talk or perhaps a presentation. It is important to let her do her work. [person B] is there, too.

As I exit through a semi-closed pathway, I see [person C] and [person D] on skis going towards a so called Lagunillas Ski Center. The prospect of skiing with them is exciting, and I let myself be convinced. The closer we get to the ski-lift, the farther away we get from that room where I should be working. I am overcome with anxiety and ask [person C] to show me the way

back so I don’t get lost.

Even so, we get farther away until we reach the ski-lift made of individual wooden seats. The engine looks old and of lesser quality. Honestly, I prefer not to continue on.

In the next dream, I am going toward [person C]’s house, a building with several stories and an inner courtyard. The option of carrying out a collective project there is no longer possible. [person C] decided to rent the apartments to solve her economic problems. She receives 80,000 pesos a month in rent. There is nothing to be done; [person C] is the owner of the building.

Next is a small fragment of a dream that escapes me.

[person C] leaves, and I am left close to the road. I watch as a red fox arrives. Now, sitting in a car, I observe how she astutely approaches my window and opens it with her snout.

I watch, amazed, how she squeezes through

the window into the car and turns into a woman. The transformation teleports us to the inside of [person C]’s apartment again, but she isn’t there. Now, it is [person E] who manages the apartments. I spy on him while he acts naturally; he doesn’t see me. I suspect he shares a secret with the fox that snuck into the car. [person E] acts without inhibitions, almost a permissive attitude. I want to see if he is disloyal to my friend.

Surprisingly [person C] appears dazed to take her [person F] their baby. Another guy arrives to say that [person E] can't come out of the room. The problem is not with him but I suspect that something hides in the room, a woman.

She asks me not to say anything to [person C] but it is too late, she is here determined to do justice.

I recall being in bed with a dachshund on the top of my body, crossed at chest height. I feel suffocated.

The last scene I remember is unusual and

operates on a metaphorical level. Her room gets flooded up to the roof, the level of the water up to the point of drowning, and there is no room left for anything.

[Source recording-status heading omitted.]

Another dream takes place in a large, cold space, like a science-fiction movie. The concept is a scary individualist atmosphere.

In a complex mechanical and novel environment, I see my mother appear, strangely, she looks different. As I approach her, she does not connect with me. She turns around and escapes from me, in search of personal benefit but I decide to follow her. Despite my insistence to save her she slips away up the stairs.

After a while she returns back down here but this time she takes on the shape of [person G]. I don’t understand how she can be so shameless.

The specific details of this fragment, I do not remember them properly only is left

to me the feeling of a daughter whose mother does not respond. In the face of a cold, artificial and an overly designed world built on individualistic elements that are disconnected from responsive human relations, she gets lost in the distance.

The last thing I recall is abandoning that infertile world to go in another direction.

Source & context

A published self-diary by Nathalie Regard in 101 nights, co-created with Guillaume Dumas. Released English text; original language/translator not stated. Recalled sections from one source night stay grouped. Statements about people, health and events describe dreams, not verified facts or diagnoses. Not a Synastry community submission.

Nathalie Regard (dreamer, diarist and recorder); Guillaume Dumas (project co-creator). 101-nights -sleep and dream study night 098. Zenodo, 2023. DOI 10.5281/zenodo.7860439. CC BY 4.0. Synastry added navigation metadata, normalized linewraps and visibly bracketed changes; no new dream narrative or translation.

Only the source-night ordinal is used. The metadata publication year is not a dream date; month/day source headings are not promoted to an exact calendar date. No real-world personal location is inferred.

Read the original source ↗

CC-BY-4.0 ↗

Creator-deposited self-diary. The actual Zenodo record licenses the released text under CC BY 4.0; credit and indicated changes are retained. The named dreamer is the creator, not an anonymous participant. No separate Synastry consent or complete third-party anonymization is claimed.

Source locator and text provenance

DREAMS section, Night 98; all recalled sections in this source-night entry, before the separate Day-by-Day waking log.

The original text and redactions are preserved. The page title is an editorial navigation label.

Private references are visibly bracketed; any omitted no-recall preface or source recording/metadata heading is explicitly bracketed. Paragraph linewraps normalized. Title/themes/scene description are editorial navigation additions; no new narrative or translation.

Released English source wording retained with documented visible privacy substitutions and bracketed source-marker omissions; paragraph linewraps folded. No assertion of original language or translator.

Open the source file ↗

Account text SHA-256
c2a0740b04e138cd9bb12c45cac71b44aa612e92723fab1d4b4d3ace5b177124
Source file SHA-256
c378eff2d02bd9072d9c7073d20ded7e945ec405fdc0ed190c91f5a79ae33bfd
Synastry source notes

These notes identify the released diary and any editorial redactions. They are separate from the diarist’s words.

Title/themes/scene description are editorial navigation aids, not a psychological interpretation.

Night ordinal only; publication year is not a dream date.

Brackets mark private-reference replacements or source-marker omissions. Person placeholders are local to each account.

The named creator remains credited; names removed from narrative are absent from public change notes.

Connections in the Loom

Titles, theme labels, illustrations and map connections are editorial navigation aids. They are separate from the account’s words and do not establish connections between real people.